Filed under: Milwaukee area, update | Tags: agamben, anarchy, barbarians, bleu marin, carl schmitt, CCC, civil war, clastres, communism, critical animal studies, critical theory, Deleuze and Guattari, derrida, discussion, negativity, nihilism, theory, tiqqun, violence, war
Weaving two seemingly divergent themes together through various conceptions of sovereignty, October will focus on the relationship and subsequent separation between humans and animals through the lens of domestication and civilization, while November will focus on questions of conflict – both as the fabric that maintains the present and the force that may tear it asunder.
1pm on Saturdays at the CCC (732 E Clarke St.)
October: Critical Animal Studies
2nd ‘The Snake’ by D.H. Lawrence (plain text)
9th ‘The Animal That Therefore I Am’ by Jacques Derrida (book)
16th ‘The Open’ by Giorgio Agamben (book)
23rd ‘On Behalf of the Barbarians’ by Bleu Marin (zine)
November: War, Violence and Enmity
6th ‘Theory of the Partisan’ by Carl Schmitt (zine)
13th ‘Introduction to Civil War’ by Tiqqun (book) zine version
20th ‘Nomadology: The War-Machine’ By D & G (zine)
27th ‘Archeology of Violence’ by Pierre Clastres (book)
This series is perhaps considerably less introductory than previous anarchist oriented and theory discussion series that we’ve attempted, though anyone who is interested is certainly welcome to participate. Most of the texts will be available for free to pick up beforehand from the CCC or can be found online to download (and linked to from this post and if made into zines will be added to the zine archive).
Many of the texts can be found here
Filed under: update | Tags: agamben, autonomia, community, gender, italian feminism, the city, whatever singularity
The City in the Female Gender by Lia Magale
From Autonomia: post-political politics
The Coming Community by Giorgio Agamben
“For your viewing (and printing) pleasure, we present the Coming Community by Giorgio Agamben… this zine will look really, really cool poking out of your sidebag, especially if you “splurge” on the color cover. Trust us.
Part of a series of 3… the rest coming soonish…”
(thanks to our friend, Yadira)
Filed under: Uncategorized | Tags: agamben, art, artists, capitalism kills, claire fontaine, french people, love, state of exception, war
First three Theses (out of 10):
“1.War happens. We know nothing of war, as they constantly remind us. War – always one and multiple – has been on our plates, since childhood, in what mustn’t go to waste. They resented us for our presumed ignorance of war, as if we were ignoring pain or an illness, or simply as if this forever absent war was now over for good, and it had to be remembered as one remembers a dead family member. Through grief.
2.Well-being. All those born far from war, or after it, know quite well that it isn’t over. They know it as possibility, as a nightmare that might come true. And this knowledge turns disquieting when war explodes in the distance, laying the childhoods, the kitchen smells, the bed sheets of others to waste. The past has dug a grave in the present and is again burying the living there – so they say — but it’s a lie. Because war is really one of the names for our present, and not a tale of days-gone-by. It lives in bodies; it flows through institutions, traverses relationships between strangers and acquaintances, even here, in this moment, for a long while now. And the more we pretend to be innocent and alien to events, the guiltier we know we are. Guilty of not being present where blood is shed, and yet somehow we are there…They used to tell us, “you kids have it all” as if to say “you sons of bitches,” yet who has raised and built this affluence, this inexhaustible source of war? Sometimes we have even suspected that if war is elsewhere, then life must be too.
3.Rest in peace… We know everything about war just like we know everything about prison, without having been there, since they are at the heart of “peace” and “free life,” already implied in them. Just as we know that nobody in our system is innocent, that only power relations exist, and that the losers and not the guilty are the ones being punished. That is why war has become someone else’s dirty job, which we are obliged to ignore. On every street corner they ask us to forget its possibility and its reality, to be surprised by it though never complicit in it. We are thanked in advance for our vigilance. Our choice is between collaborating in the social peace or with the partisans of terror. War is no longer concerned with us, we look at it and it doesn’t look back, it is too close. Its distance from us is not the same as that between a spectator and a football match, where we can still desire victory for one team and defeat for another. It resides in the limbo of things we would like to abolish. So we never have to take sides or believe that words have a weight that can be felt in the body, or that life has a meaning and that this meaning can also lead to its sudden end.”
After recently reading Homo Sacer by Giogio Agamben, the state of exception has been floating around my mind. It seems to be floating around others’ as well. This is my main justification for posting it, since it has been circulating for a bit already (in the new Politics is Not a Banana and as a zine before that). Claire Fountaine, used to have some sort of relationship with the Tiqqun journal, and used to have some interesting things to say. Now they’re an artist collective who seemingly makes money putting alienation in the form of witty light up signs on gallery walls. Wasn’t there already alienation on the gallery wall?